5/9/2021 0 Comments Ampeg Cab Serial Numbers
The Rolling Stones anticipated using Hiwatt DR-103 amps, as during their 1969 Hyde Park gig, which they brought from England.Please help improve this article by adding citations to reliable sources.
Find sources: Ampeg news newspapers books scholar JSTOR ( November 2012 ) ( Learn how and when to remove this template message ). Originally established in 1946 in Linden, New Jersey by Everitt Hull and Stanley Michaels as Michaels-Hull Electronic Labs, today Ampeg is part of the Yamaha Guitar Group. Although specializing in the production of bass amplifiers, Ampeg has previously manufactured guitar amplifiers and pickups and instruments including double basses, bass guitars, and electric guitars. Hulls design placed a transducer atop a support peg inside the body of his instrument, inspiring his wife Gertrude to name the invention the Ampeg, an abbreviated version of amplified peg. On February 6, 1946, Hull filed a patent application for his sound amplifying means for stringed musical instruments of the violin family, for which U.S. Patent 2,430,717 was awarded the following year. The Hulls relocated to New Jersey, and Everett met electrical engineer and amp technician Stanley Michael, who was selling a bass amplifier of his own design, soon renamed the Michael-Hull Bassamp. ![]() Michael left the company in 1948, leaving it to Hull, who relocated the company the following year to 42nd Street in Manhattan, above the New Amsterdam Theatre, renaming it The Ampeg Bassamp Company. Additionally, Eddie Safranski signed on with Michael-Hull to promote Ampeg products, receiving a royalty payment for equipment sold by their influence. ![]() Oliver didnt join Ampeg on a full-time basis until 1956, the same year that Ampegs name was simplified to The Ampeg Company. In 1959, the company was incorporated as The Ampeg Company, Inc., with Everett Hull as President, Gertrude Hull as Secretary, and Jess Oliver as Vice President. The B-15 was the first in the companys Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey. The B-15 and its subsequent variants went on to become the most-recorded bass amplifier in history. By 1963, the Portaflex series business had grown to 44 of Ampegs amplifier sales. In 1962, Ampeg introduced the plastic-bodied Baby Bass, a compact upright electric bass created from the Zorko bass, whose design Ampeg had acquired from the Dopera brothers, 5 along with a unique Oliver-designed, Ampeg-patented pickup. At 8,000 square feet, it was three times larger than their previous home. In June of the following year, after continued struggles to meet production demands and maintain cash flow, Ampeg announced an initial stock offering and became a publicly held company. By 1964, Ampeg had 100 employees and needed more space, relocating to a larger space one block away. The companys ads continued to feature prominent classical, jazz, and country artists, but with a notable absence of rock artists, and Hull strove to minimize rock musician visits to Ampegs facilities. Hulls distaste for rock and roll music was further compounded by the success of Ampegs chief competitor, Fender, as they continually bested Ampeg in overall sales. Through the 1960s, Ampeg amplifiers were designed for clean, undistorted sound, with Hull saying we will never make anything for rock n roll. Unimusic consisted of investors interested in capitalizing on opportunities in the highly fragmented music equipment market of the time, not unlike CBS (which owned Fender and Rhodes ), or later Norlin (which owned Gibson Guitars, Lowrey and Moog Music ). After a year of conflict between Hull and Unimusic, Hull tendered his resignation on October 3, 1968. Unimusic introduced a redesigned Ampeg logo and a new series of advertisements targeted at the rock market. ![]()
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